W.H. Auden’s September 1,1939

W. H. Audens September 1, 1939 appears at firstborn to be a song negligent with war its title, being a solid date of the Polish-Nazi invasion in man War II, is a preliminary index of a war-time theme. On the surface, the verse form appears to small talk on the dish isty and manipulation of political sympathies leading to war and expresses Audens political opinions ab bug out WWII and his sunplowedicism of governanceal authority.The ideas Auden presents of the collective Man and the lie of Authority suggests that concerning the war, he believes that the masses of the world should be much truthful to one another, and that governments atomic number 18 to convict for the deceptions and wars in the world. The actions of governments at the time and their workout of wartime propaganda to manipulate the publics intelligence could be a mirrored attend of the way Auden believes he has been made to be judged by society.Richard R Bozorth claims that Audens poems had hugger-mug ger meaningsTo read with this knowledge is to see that what is unbent of all writing is acutely so for lesbian and gay writers that meaning is initiated and elaborate in social settings where truth is actually much a matter of what is speak fitted. When considering the butch nature of Audens social life-time, a new layer can be found in spite of appearance the poem.From the outset of the poem there is a theme of closing off the speaker sits in one of the dives/ On Fifty-Second Street, suggesting a certain privacy and loneliness. America was an impartial area in the Second World War and is draw in the poem as the unbiased air, reflecting its political neutrality during the war. The nonsocial bar Auden resides in suggests that like the country that inhabits him, Auden feels he is too separated and alter within society, which may be collectable to his conflicting sexuality.The primary edition of Audens perception of WWII allows him to express his feelings towards the int olerance of oddity in society as it could be suggested that Auden believes homosexuals are forced to be kept hidden from the public, the way the government deals with propaganda and censoring during the wartime. The use of begin and dark dichotomy throughout the poem could be a metaphor for Audens attitude towards homosexualism and how it is kept in the dark of society.The waves of enkindle and panic/ Circulate over the blinding/ And darkened lands of the earth could refer to twain the spreading of the war, ca development anger and fear to civilians, and the anger felt by people who are unaccepted within society, leftover to exist within the darkened lands, unexposed to the light of acceptance. Auden insists the lights must never go out, in which the lights could represent the acceptance and embracing of homosexuality and thus Auden looks the light that volition allow him to feel accepted within the world.It appears Auden is communicating that humanity is not save cond emned by war, but to a fault condemned by a lack of acceptance of one another. The conservative dark Auden refers to not lonesome(prenominal) presents the darkness of government and its control, but also the darkness of those who cannot alter their opinions on those who are opposite. The idea that the poem is commenting on the contrariety of homosexuals in society coincides with the primary interpretation of the poem because in both instances Auden is using the poem to speak out against injustices and seek truth and equality either in government or society.Audens poem is read primarily as a critique on the dishonesty of government because of the outbreak of war, however, Audens personal life and the language and references within the poem spread evidence to a deeper meaning. By creating a poem with two levels of interpretation Auden is able to speak active two different subjects that he feels very strongly about both of which work together to ginger up for a more honest and p ermissible world.