The best Catholic fiction is eternally written by the worst Catholics. Not the saints in all their virtueand in particular not the heretics, who are willing to undo the whole of Christianity if on the whole their vices can be redefined as secret virtuesbut the sinners in all their sin are the ones who are able to defecate a genuine story. The best Catholic novels seem to be written by those who know, no matter how far theyve go in faith and morals, that above them or outside them or beyond them lies a truth they did not make and cannot change. Or possibly we should say the truth, for this is what distinguishes Catholic novelists from most others in the twentieth century. They may have moved so far absent they do not all the same consciously perpetrate it anymore. Thats James Joyce. Or they may have failed to chip in it in their own lives, and so imagine that no one can ever reach it. Thats Graham Greene. Or they may even suppose that it enters the demonstrable human world completely in the comedy of our tangible human failings. That, finally, is Evelyn Waugh. But they always somehow know that the truth is there, and it looms unchanging, pure, and realas both the everlasting indictment and the perpetual hope of the characters in their stories.
Its concurrently how their characters can know theyve belittled their lives and how they can go on living. Take F. Scott Fitzgerald, who fell about as far as anyone can from the Churchthough, of course, (and this is what e genuinelyone who reads Fitzgerald with even half an centre must eventually see) it turns out that you cant fall very far, no matter how hard you try. Apostasy or sin,! even godlessness pursued with all the wild-eyed devotion of a zealot, If you demand to get a full essay, order it on our website:
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